The groom walks down next, and can walk down alone or escorted by his mother and father. They will stand next to you at the altar, and will hold your bouquet as you say “I do!” 7. Should you choose to have the maid and/or matron of honor walk down separately, they should follow the best man. SEE MORE: 13 Best Man Duties You Won’t Want to Forget 6.

He may also be the holder of the rings, and will stand next to the groom at the altar. The best man follows the bridesmaids and groomsmen and can walk down alone or with the maid or matron of honor. Once down the aisle, the groomsmen will line up at the altar next to the groom, and the bridesmaids next to the bride. Though there is no set rule, many brides choose to pair up bridesmaids and groomsmen based on height and/or significance to the bride & groom. Bridesmaids & Groomsmenīridesmaids and groomsmen can walk down separately, or you may pair them together. The groom’s grandparents will typically follow the bride’s grandparents, taking a side on the alternate side of the aisle. The bride’s grandparents can also begin the wedding processional, after which they will take a seat in the first row. SEE MORE: Who Should Walk Down the Aisle First at Our Wedding? 2. In Jewish weddings, it’s customary for the mother of the bride and the father of the bride to walk the bride down the aisle. Traditionally, the mother of the bride walks down the aisle first and then takes a seat in the first row to the left of the aisle (note: in Christian weddings, the bride’s side is to the left of the aisle, where as in Jewish weddings the bride’s side is on the right). Follow this tutorial for the wedding processional order and you’re golden! 1. We’re here to help you with general guidelines for who walks first, who walks next, and who can walk together. But when it comes to the rest of the wedding processional order, and who walks down when, it can all get quite confusing. Most brides have seen enough rom-coms to know that the last person to walk down the aisle will typically be them. Like the evil in a David Lynch horror film, it is out there in the night, waiting to get you.A Guide to Your Wedding Processional Order by Jen Goldenberg Photo by Amanda May Clues to the source and motives of this menace are dropped, but they don’t add up. “It Follows” abides by a principle that few horror movies have the courage to embrace: The unknown is the unknown. In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with electrical appliances. The explanations for almost everything that happens are intentionally enigmatic and sometimes completely mystifying. Having sex with someone else is the only cure, if cure is the right word. From him, she has caught a supernatural version of a venereal disease. Jay’s troubles begin after she sleeps with her new boyfriend, Hugh (Jake Weary), who, after their lovemaking in his car, ties her to a chair under a bridge, and explains her predicament. The violence, when it comes, is sudden, and the camera doesn’t linger over the gore. Seldom do you feel manipulated by exploitative formulas. Rather than breaking new ground, “It Follows” recycles familiar teenage horror tropes - a girl alone in a house, evil forces banging on a door - but its mood is dreamy. The shy, pensive Paul, who has had a crush on Jay ever since they shared a kiss many years earlier, is the most memorable. Unlike the daredevils and vixens of slick Hollywood horror thrillers, these are everyday teenagers. But as the ominous portents accumulate, the group, which includes Kelly (Lili Sepe), Yara (Olivia Luccardi), Paul (Keir Gilchrist), and Greg (Daniel Zovatto), stands by her. It takes a while for Jay to convince her friends that the danger isn’t just a figment of her imagination. Except for a few scattered people, Jay and her teenage friends are the only remaining local residents. The place is so depopulated that the empty streets and darkened houses evoke a ghost town evacuated in an emergency. Mitchell, the director of the 2011 cult film “ The Myth of the American Sleepover,” “It Follows” is set during autumn in a Detroit suburb. Although Jay repeatedly flees, she can never shake the sense that it is out there somewhere and knows her precise location. When it appears, it is usually first glimpsed from a distance, walking slowly toward her like an expressionless zombie. The menace, which only she can see, takes any number of forms, from a naked man standing on the roof of a house to an unsmiling old lady heading purposefully in her direction. The nameless, shape-shifting horror that stalks the blond, 19-year-old Jay ( Maika Monroe) in David Robert Mitchell’s cool, controlled horror film, “ It Follows,” might be described as the very incarnation of paranoia.

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